ALMANAC
As I was writing AMALGAMATION for Playwrights Horizons’ fourth annual ALMANAC Magazine, I unearthed some old, grainy photos of my eleven-year-old self perched atop a ladder as the presiding judge Yertle the Turtle in SEUSSICAL JR. and it suddenly dawned on me that I have spent well over half of my life devoted to the theater.
I quickly grew quite sentimental and wondered what George at eleven would think of George at twenty-six. I thought back to all of the incredible friendships and relationships in my life that have been birthed from my existence as a theatermaker; all of the ways in which this work has deeply shaped me not only as a friend, but as thinker, lover, and human, too.
Throughout the last two weeks of 2023, I sat down with fifteen people that I’ve met through the theater in an effort to start a time capsule, of sorts, for myself. I started with 2009, the first year I stepped foot onto a stage, and chose one person per year, working my way up to 2023, spending fifteen minutes with each of them via Zoom to ask them fifteen (varied) questions. We laughed. We cried. We sang. We looked back. We looked forward.
In this quest to preserve and track how this art form has impacted my growth, I ultimately came out wondering if I was all that dissimilar from my past selves after all. The same deep curiosity and intrigue I had at eleven remains and any growth or evolution I had excavated was easily traced back to someone; I realized I am merely a student and product of those around me, not only the fifteen people I spoke to, but countless other peers, collaborators, mentors, and friends I have met along the way, too.
I recorded each conversation in full, unsure how much I’d share of each (if they were shared at all), and at the end of every chat, I asked each interviewee to answer the question “What is your all-time favorite piece of theater, and why?” I was struck by how difficult the question was for some while answers came so easily to others.
AMALGAMATION outlines their answers and personal musings on them. Outlined below is more information on each participant, as well as their own musings on their favorites.
2009
Val Pascale (they/them) is a theatre kid turned social worker who loves to run.
Val and George backstage after a performance of The 25th Annual Putnam County Spelling Bee in 2014.
2010
George Massood (he/him) is a talent assistant at WME. His passions include film, theatre, and digital media.
George and George as Shrek and Donkey in Shrek in 2014.
2011
Kelcie LaSalle (she/her) is Assistant Account Manager at CLG Insurance and an alumna of Villanova University.
Kelcie and George as Rusty and Willard in Footloose in 2013.
2012
Anna Simone (she/her) is a music assistant at WME and an alumna of Newhouse School of Public Communications at Syracuse University.
Anna and George at the 2015 Into the Woods Original Cast Reunion at BAM.
2013
Anabel Riggio (she/her) is a first year law student at the Elisabeth Haub School of Law at Pace University.
Anabel and George as Audrey and Seymour in Little Shop of Horrors in 2015.
2014
Greg Nobile is the CEO of Seaview Productions: a New York based theater, film and television company disrupting and reshaping the paradigm of storytelling.
Greg and George at the 2024 Edinburgh Festival Fringe.
2015
Cassandra Cloutier (she/her) is a writer, marketer and theater lover who’s worked as an actor, intimacy coordinator, dramaturg, and teacher.
Cassie and George just before their New York producorial debut at 54 Below in 2017.
2016
Jason Thinger (he/him) is a New York City based Casting Director for Broadway, Off-Broadway, and National Tours.
Jason and George in Las Vegas just before seeing Lady Gaga: Jazz & Piano in 2019.
2017
F. Binta Barry (she/her) coaches actors and slings romance novels in LA.
Binta and George at the Prince of Broadway opening night in 2017.
2018
Jaynie Saunders Tiller (she/her) is the Executive Director/Producer of New Georges. She teaches at Marymount Manhattan College and is the COO of Little Sister Creative.
Jaynie and George after a New Georges’ co-production of The Cotillion in 2023.
2019
Lucy Powis (she/her) is a dramaturg, producer, and arts administrator from Toronto, now based in NYC.
Lucy and George at Trailer Park Lounge in 2019.
2020
Dominique Rider is a Brooklyn-based director whose work deploys performance as a tool of Afropessimism. Black, queer, and joyful;
Dominique and George at the closing party of the inaugural Breaking the Binary Theatre Festival in 2022.
2021
Liliana Padilla (they/them) is a writer, director, teacher, and creative doula.
Liliana and George’s puppy, Gusher, at their Williamstown Theatre Festival residency in 2023.
2022
L Morgan Lee (she/her) is a Tony Award® nominated actress, storyteller, and transgender advocate.
L Morgan and George at the closing party of the inaugural Breaking the Binary Theatre Festival in 2022.
2023
Tom Kirdahy (he/him) is a Tony and Olivier Award-winning producer whose projects have spanned Broadway, off-Broadway, the West End, national and international tours.
Tom at the opening of Here We Are, which I co-produced under his guidance. (Tom, when I next see you we need to take a photo together!)